![]() ![]() in fact, his chapter on Sun Ra is perhaps the best summation of his philosophy that exists. ![]() In addition, his thorough research and reasonable analysis shed new light on previously unexamined aspects of these artists’ careers. Lock lays out each man’s life and ideas in a readable and informative fashion. “ Blutopia is a lucidly written, expansively annotated exposition of ‘an African American visionary future stained with memories.’ ” - Julian Cowley, The Wire It will interest students of jazz, American music, African American studies, American culture, and cultural studies. Drawing on social history, musicology, biography, cultural theory, and, most of all, statements by the musicians themselves, Lock writes of their influential work.īlutopia will be a welcome contribution to the literature on twentieth-century African American music and creativity. Arguing that the majority of writing on black music and musicians has-even if inadvertently-incorporated racial stereotypes, he explains how each artist reacted to criticism and sought to break free of categorical confines. Providing an alternative to previous analyses of their work, Lock shows how these distinctive artists were each influenced by a common musical and spiritual heritage and participated in self-conscious efforts to create a utopian vision of the future.Ī century after Ellington’s birth, Lock reassesses his use of music as a form of black history and compares the different approaches of Ra, a band leader who focused on the future and cosmology, and Braxton, a contemporary composer whose work creates its own elaborate mythology. In Blutopia Graham Lock studies the music and thought of three pioneering twentieth-century musicians: Sun Ra, Duke Ellington, and Anthony Braxton. ![]() Labor and Working-Class History Association.Association for Middle East Women's Studies.Author Resources from University Presses.Permissions Information for Journal Authors.Journals fulfilled by DUP Journal Services. ![]()
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